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Those people who know me well will know that I am a massive fan of low culture and I am willing to argue quite vehemently that Simon Cowell has actually enriched our lives. For one he had the good grace not to run me over when I accidentally stepped in front of his car about 10 years ago... although in retrospect I should have tried a little harder to get clipped or at least a little bit maimed - Injury Lawyers 4 U would have had a field day. but I digress... X-Factor is one of my favourite shows, and especially the audition stage with it's endless cycle of Dermot, awful, awful, uplifting story, hugs and tears, montage, banter between judges and repeat... I sort of like that fact that it's as staged and manipulative as the "Cue the sun" moment in The Truman Show. I like it. I buy into it. Until this weekend. When the 'scourge of modern music' reared it's ugly head. Autotuning. Yes, autotuning. In the audition stage. THE GODDAMN AUDITION STAGE. Why? It just makes no sense... why did they do it? Now, I'm willing to argue quite vehemently that autotuning has actually enriched our lives as well. And no, I'm not just playing devils advocate. Autotuning has made many a ropey popstar's caterwauling vaguely listenable. Even the best singers can't be spot on every day, so from a recording perspective a little bit of autotuning can be an absolute lifesaver if you haven't quite got the take that you wanted from a session. But autotuning performances on an audition show to find new singers? That just takes the ...biscuit. I guess I only want to be manipulated up to a point... and I think that point has been found. |